Exploring Dimensional Depth in ‘The Neverending Story’

“The Neverending Story” is a fantasy novel written by Michael Ende. It tells the story of a young boy named Bastian who discovers a magical book titled “The Neverending Story.” As Bastian reads the book, he becomes immersed in the fantastical world of Fantasia, a realm filled with incredible creatures, characters, and landscapes. The core of the story is about the struggle to save Fantasia from a mysterious force called “The Nothing,” which is consuming the world and erasing everything in its path. The hero of Fantasia, a young warrior named Atreyu, is tasked with finding a cure for the Childlike Empress, the ruler of Fantasia, whose illness is somehow connected to the spreading Nothing. As Bastian reads on, he realizes that he is not just a passive observer but plays a crucial role in the story. The novel delves into themes of imagination, the power of storytelling, and the blurred lines between fiction and reality. Bastian learns about courage, self-discovery, and the importance of dreams and imagination in the face of despair and apathy.

“The Neverending Story” stands out as a masterpiece that transcends its genre, offering a rich tapestry of themes and symbols. Upon deeper reflection, one might consider this beloved tale as more than a fantastical journey; it’s a profound exploration of the relationship between the sixth and third dimensions. This interpretation becomes increasingly compelling when viewed through the insights of Tim Tactical, a figure with unique experiences in a covert German program.

“The Neverending Story” introduces us to Bastian, a young boy who becomes deeply immersed in a book about Fantasia, a universe teetering on the brink of destruction by a mysterious force known as ‘The Nothing’. As the narrative unfolds, it becomes evident that Fantasia and its diverse inhabitants – ranging from elemental spirits to mythical beings like gnomes and fairies – are representations of various levels of consciousness.

It is within this context that the revelations shared by Tim Tactical offer a fascinating lens through which to reinterpret the film. Working in a secretive environment, Tim Tactical gained profound insights into a collective known as ‘Being 6’, entities residing in the sixth dimension of consciousness. According to Tim Tactical, these beings use advanced technology to modulate frequencies, facilitating direct communication across dimensions. Intriguingly, Tim Tactical suggests that these higher-dimensional beings depend on the choices made in the third dimension, our dimension, where individuality and free will are still dominant forces.

This dependency is strikingly mirrored in the plight of Fantasia. The Nothing, a force of destruction in the film, can be seen as a metaphor for the challenges faced by a collective consciousness when negative forces are at play. It’s a self-destructive entity, a concept that resonates with Tim Tactical’s description of the sixth dimension as a realm where individual consciousness is transcended, leading to a state of collective being that is both everything and nothing simultaneously.

The resolution of Fantasia’s crisis hinges on Bastian, a being of the third dimension, whose individual choices have the power to counteract the Nothing. In the film’s climax, the act of Bastian giving the Empress a new name becomes a symbolic gesture of monumental significance, representing the potential impact of individual actions in the third dimension on higher realms of existence.

Delving into the philosophies of Michael Ende, the German author of the story, we find a rich background of anthroposophy. Ende’s fascination with stages of human evolution, from clairvoyance to intellectual development, and the process of reincarnation, aligns closely with the narrative’s exploration of consciousness. The theme of duality, a significant aspect of anthroposophical beliefs, may shed light on Ende’s dissatisfaction with the film’s adaptation of the book, which he felt didn’t fully capture the transformative nature of darkness and the potential for positive outcomes.

Moreover, the emotionally charged scene of Artex’s demise in the Swamp of Sadness is not just a moment of childhood trauma but a profound metaphor. It speaks to the impact of emotional states like sadness and depression on our journey through life, reinforcing the multi-dimensional nature of Bastian’s and Atreyu’s characters.

These conclusions were significantly influenced by a @jk_ultra TikTok featuring an episode from Gaia’s “Shifting Consciousness with ET Guidance,” hosted by Regina Meredith, specifically Season 23, Episode 8. In this episode, Tim Tactical delves into the presence of various alien species, including Reptilians, and their impact on the evolutionary potential of humanity. He discusses how Reptilians have been manipulating systematic changes and modifications to hinder our ability to use language as a tool for navigating and manifesting within the universe. This interference, according to Tim Tactical, is making it increasingly challenging, even oppositional, for humanity to achieve its potential. 

Excerpt from ‘The Code to the Matrix

by Sevan Bomar

“…all holy languages, as they are called, like Arabic, Hebrew, Amharic, Aramaic, and Sanskrit are written from right to left. English, Latin, French, and Spanish, also known as the Latin Vulgate, are all written in the opposite direction from left to right. The reason for this is the direction you read and write plays a heavy role in the direction your mind is moving since the mind turns more of a wheel in thought. Also this affects what side of the brain you predominantly use. Many of the words in these languages, especially the Vulgates, when looked at backwards or sounded out the vibration when taken literal gives you the actual origin of the word and its manifold involvement in the erosion of the intelligence of the Human race. AMOR is the word for love in Spanish.

AMOR is the son of Venus. When you look at it backwards it spells ROMA which is of course ROME. This proves that when you turn the word backwards you don’t get the opposite meaning you just get more of the meaning. That is another valuable key to learn. Since letters are truly Numbers lets say ABC is 123. No matter how you move the words around it will still equal 6. In English LOVE comes from JOVE wife of Jupiter. We can conclude a J is also an L just facing the other direction.

At times what will be uncovered will be shocking and hard to believe, if you remain patient and strengthen your courage you will see that this will become the key to your emancipation and self-empowerment. The system in place redundifies to the lowest degree, once you are on the trail you will find multiple connections. The Art of magic itself involves an accurate system that cannot be altered too much or else it will have no effect. Much power lies in repetition this is why so many words are often spelled the same, but each is given a different meaning to increase its use. For this reason, it is easier to spot them once you know the basic parameters does this make sense, since, cents, sins?”

Read ‘The Code to the Matrix’ by Sevan Bomar

Read my analysis of ‘The Code to the Matrix’ by Sevan Bomar

Read more on the Symbolic Power of Words

Leave a Comment

Your email address will not be published. Required fields are marked *